Santlofer does it again, with this chilling third instalment to his Death Artist series. In The Killing Art, protagonist Kate McKinnon must re-invent herself in the glamorous art world of New York City. But just as she begins to take comfort in her new existence, she is drawn back to her past as an NYPD Detective and finds herself on the trail of a serial killer.
The thing that I find most fascinating and satisfying about Santlofer’s work is the way he incorporates his inside knowledge of the art world into every page. His use of his own paintings as clues is both unique and brilliantly enticing. Before embarking on his career as an author, Santlofer was already a well-known painter. His symbiotic merging of the two art forms creates a product that is addictive to say the least.
-Donna Carrick, February 1, 2007
Midwest Book Review (Oregon, WI USA) — The Noon God, January 5, 2007
A dark novel of coming to terms with secrets and accepting the heavy mantle of responsibility.
The Noon God is a dark novel about struggling to survive in the shadow of greatness – or presumed greatness. When Desdemona Fortune’s father is found murdered inside the offices of the faculty of Art, she knows of a great many people who held a potentially lethal grudge against him – and as she struggles to cope with the fallout of a household poisoned by addiction and narcissism, Desdemona must accept that the father she loved inflicted terrible pain on those closest to him.
Now thrust into the role of head of the formerly illustrious family, she must protect her surviving sister from the reach of a seeming immortal at any cost. A dark novel of coming to terms with secrets and accepting the heavy mantle of responsibility, The Noon God fascinates the reader with the brilliance of its stark choices and the hidden depths of its shadows.