One day that changed the world….Lest we forget.

Nov.11-8On this day, at almost exactly this very moment thirteen years ago, our world changed forever.

The following is a commemorative post I wrote on September 11, 2011. I’d like to re-share it with you today:

Like most adults, I woke today filled with memories of that other morning, ten years ago, almost to the moment.

It had been a period of loss for our family. First my mother, unexpectedly at the age of 69 in early 2000. Next a dear aunt, then another — sisters of my mother. Then, on September 3, 2001, my husband Alex lost a beloved aunt, followed the very next day, September 4, by his father, Donald Carrick.

We returned to work on the morning of Monday, September 11 after a week of funerals. Already saddened, but relieved, at least, to put the heaviest of our grief behind us and get back to our normal routines.

It was just past 9 am. My office phone rang. It was one of my staff, a young lady, calling to say she would be a little late. “But Donna,” she added, “there’s something wrong in New York City. I don’t know what, but something’s happened at The Towers.”

I won’t pretend her first words chilled me. I had no idea, after all, what they meant. But her next sentences gave me pause. “It’s really scary,” she said. “Everything here is too quiet. There are no planes in the air — none.”

I put the phone down. I work for a major media organization, and at that time we were still connected with Canwest at the 1450 Don Mills Road building. I ran from my office on the 2nd floor up a half flight toward the big news screen on the 3rd floor.

Within moments, almost 200 of my friends and co-workers had joined me. In absolute silence we watched the newsman as he struggled to make sense of the first impact. He, and we, thought it must have been an accident. He spoke in reverence, pausing to find the right words. Clearly it was not a typical news report. He was just a guy with a microphone and a camera, trying to tell the world what had happened.

And then, before our eyes, in one flash of horror, the unthinkable occurred. The second plane. As he spoke, facing the camera, behind his head we saw it pass, turn, and collide with the second tower.

And we all knew.

There was no cry of horror in our building. No stifled collective gasp — no outrage spoken in words.

There was only a deep, unbroken silence as the knowledge flooded us.

During the days that followed our hearts broke time and again, with each new discovery, each fresh image that was presented to us. We were filled with an unprecedented grief, and a love for our brothers and sisters in New York City.

The phrase “Ground Zero” came into our language. But we know the damage of that day was not isolated to the towers. Not at all. Its impact ripples to this day through the hearts and minds of people everywhere. None are left untouched.

So here we are in Canada on a beautiful Toronto morning. What has changed in our world?

Ten years have come…and gone. A heightened sense of security worldwide has restricted our freedoms in ways we might never have imagined. We’ve suffered suspicion… against our neighbours, from our neighbours. Friendships have grown, or have been set aside. Babies have been born, and loved ones have died.

But that moment, standing with hundreds of my co-workers, friends all, entrenched in the silent horror of first awareness, before even the newsman knew for sure…..

…that was a pivotal moment.

A moment that cannot be erased, nor can it be trivialized, nor should it ever be.

All that has come to pass since that day has been acted on an altered stage.

And now, ten years later, we still seek peace. Too elusive. Too vague a concept. Our global psyche too cluttered with offenses given and received, too filled with suspicion and hatred. Forgive us our trespasses, as we will forgive those who trepass….

Instead of a day committed to reliving that horror, as if anyone could or would ever forget, I pray we will dedicate this day to seeking peaceful solutions to our differences.

That’s my fervent wish on this day, ten years to the moment later.

Donna Carrick
September 11, 2011

For the love of books…

Arthur Ellis Award FinalistIn June, I had the very great honour of being named one of five finalists for the prestigious Arthur Ellis Award for Best Short Story.

The title that received this nomination was Watermelon Weekend, from our Crime anthology THIRTEEN, by the Mesdames of Mayhem.

I’m proud of this story. It was written with an understanding of how families work, and how their fragile dynamics may or may not be destroyed by encounters of the criminal kind.

But then, the truth is that I feel this way about all of my stories.

Maybe it’s my genre, which allows me to go beyond the nuts and bolts of “whodunit” and delve into the humanity of crime, or maybe it’s the stories themselves, concerned as they are with suffering and survival.

For whatever reason, my novels and short stories have touched readers, and for this I am eternally grateful.

There can be no greater joy for an author.

Exciting news from Donna Carrick and Carrick Publishing!

Donna CarrickSome exciting news to share with you all today:

The Short-List nominees for the prestigious Arthur Ellis Awards (Crime Writers of Canada) were announced last night.

Mesdames-Thirteen-Cover-187x300I was thrilled and honoured to learn that my story Watermelon Weekend from our crime anthology THIRTEEN was short-listed in the Best Short Story category, along with fellow THIRTEEN contributor Sylvia Maultash Warsh for her story The Emerald Skull. (Carrick Publishing, 2013)

Congratulations to nominees in all categories, especially to yet another fellow-contributor, Melodie Campbell, whose book The Goddaughter’s Revenge (Orca Books) was short-listed for Best Novella!

It was indeed a great night for the Mesdames of Mayhem, and for Carrick Publishing as well!
AE ShortList1 2014
AE ShortList2 2014

Big news about Gold And Fishes, international Thriller achieves #1 spot for Kindle Thrillers

Don’t miss your chance to download this Kindle Novel — Free today only!
Gold And Fishes

The truth about “US” ~ Donna Carrick, Jan. 26, 2014

US

“US”.

Small, barely 5 inches across, and virtually invisible on the corner of my bedroom wall, next to the closet. The only way to hide it more effectively while still hanging it would be to display it IN the closet.

Created nearly 50 years ago by pouring plaster of Paris into a hand-carved impression in the sand.

Is it art?

Only of the most rudimentary, childish kind.

Is it valuable?

Not to anyone but me.

What, then, is the truth about “US”? Why is this talisman, of no intrinsic value and known to no one other than myself, given space on my wall? Why have I treasured it these nearly 50 years, and why, when I am gone, will others find it, sigh, and carelessly toss it into the discard bin?

This, my friends and gentle readers, is a mystery I have chosen to share with you.

More than a talisman, or a “writer’s prompt”, this strange plaque, still decorated with the sand of Fundy Bay and its original paint, is a vessel of memories, a “soul-jar” if you will.

Easter2010 011I was four, and my sister, Debbie, would have been six. We spent those summers on Parlee Beach, leaping over seaweed in the salt water and playing endlessly on the shimmering sand.

An arts-and-crafts instructor gathered all the children together, and showed us how to dig a ‘pocket’ into the firm, damp sand, then draw a picture into it. Once the image was cast, we would pour the plaster from her large bucket, letting it sit until it hardened. Then we would paint the images.

I made a leaf, complete with ladybug, proudly painting it green and red and black, but was heartbroken when it slipped from my hands and broke.

To console me, Sis gave me hers, saying, “See, Donna, it’s US.”

Years later, going through my childhood possessions in my parents’ house, I found ‘US’. Debbie was already gone by then. But I remembered the day, as clearly as one can remember a summer day from long ago.

And ever since, it has held a place on my wall.

When I am gone, one of my children will no doubt hold it up, shake his head, and say, “What the hell is this?”

It won’t matter any more, at that point. They can throw it out.

But so long as I live, this promise stands: not a day will go by that I don’t look at it at least once, briefly, and remember…

On January 28, I’ll be participating…. Let’s Talk

It isn’t easy to engage in a real dialogue about ‘depression’.

First, there’s the stigma that attaches itself to mental illness.

Assumptions are often made about those who suffer chronic depression. Sometimes those assumptions are founded in reality. Often they are not.

Long ago, in the checkered landscape of my own past, I learned that problems tend to grow in the darkness of ignorance.

Open discussion, honesty and dialogue… these are the tools available to us in learning to live well with mental illness.

The Noon GOdIn my books, The Noon God and The First Excellence, I explore the harshest effects of long-term depression, most notably suicide. In The Noon God, my protagonist Desdemona Fortune experiences ‘survivor’s guilt’ after not one, but two, close family members end their own lives.

The FIrst ExcellenceIn The First Excellence, the story opens with Min-xi, the soon-to-be mother of a second born daughter, who finds herself under tremendous pressure to kill her daughters in hopes of later conceiving a son. Unable to hurt her daughters, she instead abandons them in a popular tourist area, knowing they will be found and hoping they will make their way to a better life. After leaving them on a park bench, she takes her own life.

I have an intimate understanding of the kind of depression that can lead to such a tragic outcome.

DebbieLike Desdemona, I am a survivor of ‘sibling suicide’. A long time ago — a lifetime ago, it often seems — I lost my older sister, Debbie. As a teen suffering from an intense and long-term state of depression, one dark night she chose to throw herself through the window of a 12-storey apartment.

I’d like to pretend that I don’t understand. Sadly, I do.

I am also a survivor of chronic depression, and like many such survivors, I remain alert to the triggers that can bring about a spiral into darkness.

There is one thing that seems to help stave off the ravages of depression, in my experience. That ‘one thing’ is honesty.

When I pretend everything is ‘OK’, that’s when I’m in danger.

On the other hand, when I accept that this illness is part of who I am, and when I am honest with myself and others, then I can find a way to not only survive, but to live well, to enjoy this gift I’ve been given.

Depression hurts.

If my words can help even one other person to cope, and more, to live well beyond the scope of that pain, then I will feel this dialogue has been worth the effort.

So come on, world, let’s get together on January 28 and remove the stigma!

Join me in Tweeting and Texting to support @Bell_LetsTalk.

Keep the journey alive! Tweet with me, or feel free to copy and paste the following Tweet:

#EndTheStigma with @Bell_LetsTalk on Jan.28/14 http://tinyurl.com/kj8ws5s TweetOrText #BellLetsTalk about #Depression & #MentalIllness

Runaway ~ the reality of homeless youth in fiction.

troubled teenI was a teenage runaway.

There, I’ve said it.

I left my parental home at the age of fifteen. I don’t recall the exact date, but it was still early spring, so it would have been right around my 15th birthday.

At the time, I wasn’t aware of being young. I’d never really felt like a child, anyway. I suppose you might say I was born an ‘old soul’.

I have no photos of myself from that time period. The closest is this Metropass picture, taken after I found my feet again. As I recall, I was painfully thin; full of bravado, but truthfully more than a little fragile.

A year later, just two weeks short of my sixteenth birthday, I married my first husband. I won’t mention his name. I doubt anyone I know would know him, but hey, why take a chance?

Suffice it to say, the marriage didn’t sing.

Gritty is the word that comes to mind when I remember those years. A writerly word, don’t you think? Captures the mood of a teen living on the edge, desperately trying to clutch hold of society’s fringes and hang on for dear life.

I seldom talk about specifics. Why bother? Things happened. I survived. That was then. This is now.

But I remember.

Maybe that’s the reason I so often find myself writing about young people — the abused, the neglected and forgotten… the teens we secretly wish would just ‘go away’.

My news for 2014: I have a new novel underway.

It’s in the early planning stages, so I can’t say much about it, except that it will draw on those teen-experiences of mine.

The best of art comes directly from the soul. First you live it — then you express it.

Wish me luck!

Donna Carrick – January 8, 2014

Character Driven Part I: Peeling back the layers

Daphne, by Donna CarrickIt usually begins with an image.

The tilt of a head, or the turn of a hand.

He is standing in the doorway of a darkened room, daylight streaming around his silhouette, obscuring his true nature from the mind’s eye.

Or she is sitting alone on a curb. She is looking away from me, at nothing, I believe, as a tornado of urban noise swirls around us. I cannot catch her eye; she will not deign to acknowledge me. Her story eludes me in the beginning. She will not speak, but needs to be coaxed. Slowly, she rises to her feet, and the great journey of discovery begins.

For me, this describes the art of writing.

There is an image of a person, male or female, a mere shadow hovering on the edge of my consciousness. Yet, in my deepest soul, I know a story is waiting to be told.

The Noon GOdSo it was in the case of my first published novella, The Noon God. In my mind I saw Desdemona as clearly as you would see the person next to you on the bus. I saw the rush of long golden curls, the ice-blue eyes, the determined forehead. And I saw the father she had once adored: J. Caesar Fortune, broad-browed, full of pride, seemingly indestructible.

And yet, like all who claim mortality on this earth, capable of being felled. Capable of death.

Slowly, his legacy revealed itself to me: the many books, the lectures, the mass appeal of a life’s work.

I sensed the sunlight that shone always on this great man…no, not on him, really, more like from him. As if he radiated an inner light, casting the darkest of shadows on all who loved him.

So there was Desdemona, the disillusioned daughter of a renowned author. And there was Caesar, a man of singular passion, driven to greatness.

Debbie2 SmallAnd then, in the varying recesses of that stage, there were ‘the others’, Lucy, Gail, Uncle Willard and Angelina, those lesser loves, whose lives were caught up in the vortex of that passion, and each, in its own way, damaged at the core.

The Noon God was inspired by and is dedicated to my late sister, Deborah, who died at nineteen years of age by her own hand. Like any survivor of family suicide, I’ve long been compelled to try to understand the ‘how’ and ‘why’ of such a final act.

The FIrst ExcellenceI think it’s fair to say my novels are all primarily ‘character driven’. From my earliest as yet unpublished works to my latest, The First Excellence, I have been led around the globe by an obsessive need to peel back the layers, to discover the truth behind those silhouettes.

And as with most art, great and small, the true quest remains: the discovery of self. The telling of a story more real than imagined, by imaginary players on the stage of our minds.